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Key Features
Let nothing phase your performance - except of course the Warm Audio Jet Phaser. Because this one-of-a-kind unit is here to enhance your entire playing experience with the cherished shimmer of the seventies. Based on the original circuit of the esteemed 'jet' phaser pedal, used by the likes of David Gilmour, Brian May, and - most notably - Larry Graham of Sly and the Family Stone. It was this unique circuit that provided the flexibility, pristine clarity, and fuzz tones that drove forward the popularity of phaser effects. And the Warm Audio Jet Phaser presents a faithful recreation with the look and feel of the original. But this time, it's tailored for the modern performer...
Explore the possibilities of six different phaser modes, essentially gifting you with four pedals in one. Combine bright and dark fuzz, with shallow and deep phase tones to unleash anything from classic rotary effects, to all-out sci-fi craziness. Not to mention the classic resonance and rate controls for complete creative freedom. There's even a level control, which allows the Jet Phaser to function as a boost for when you want to kick out those slashing solos. It's a legend, reborn.
Product Ref: 165505
When it comes to seventies sound, few effects define the era as much as the phaser. From the intricate guitar work of David Gilmour and Van Halen, to the inventive keyboard stylings of Steely Dan - phasers were just about everywhere. And one pedal that stood out above the rest, was the "Jet" phaser. Adopted by Sly and the Family Stone's funk pioneer, Larry Graham, the Jet Phaser quickly became renowned for its unique fuzz/phaser tones that blended to create a futuristic swirl of sounds. And, thankfully, Warm Audio have worked tirelessly to deliver the same coveted tones of the original.
Behind the pedals one-of-a-kind tones lies six modes; each with their own distincitve character. Jet modes 1 and 2 offer a bright fuzz tone fused with either shallow or deep phase. Looking for something heavier? Modes 3 and 4 offer both phase options, but with a much darker fuzz tone for those searing solos that fill the room. And, to top it off, there are both shallow and deep phase effects - fuzz-free. So you've essentially got two pedals in one. All you have to do is sculpt it to your taste.